Currently, my interest is focused on two different subject areas: a) technical literature of the Early Modern Period and above all 16th<\/sup> century printed books that present skills and knowledge in constructive geometry, and b) vernacular legends and poetry praising the virgin Mary, above all \u2018Gloss Songs\u2019 (Glossenlieder), \u2018Marienpsalter\u2019 and narratives presenting the life of the virgin.<\/p>\n\n\n\n\n\n\n\n Vernacular narratives that adapt biblical or apocryphal material to explicate events or tell the life of central figures of salvation history show a tendency to include forms of commentary. Some of these narratives have even been sentenced as unwieldy, laborious texts in which the excessive use of commentaries seems to shatter the narration. Others, while in fact disintegrating the diegesis<\/em> even further and sometimes reducing the progression of the plot to one sentence a time, seem to include forms of commentary in a sophisticated way. My project tries to describe such narratives within a broader theory of narration.<\/p>\n\n\n\n Textherstellung in den Marienleben Philipps von Seitz, Walthers von Rheinau und Wernhers des Schweizer, in: Friedrich-Emanuel Focken, Michael R. Ott (Hg.): Metatexte. Erz\u00e4hlungen von schrifttragenden Artefakten in der alttestamentlichen und mittelalterlichen Literatur. (Materiale Textkulturen 15) Berlin\/Boston 2016, S. 331-360<\/p>\n\n\n\n ein grund\/ anleitung vnd verstendigen eingang<\/em>. Philologie und Philotechnie in Walter Ryffs \u201aVitruvius Teutsch\u2019, in: Friedrich Balke und Rupert Gaderer (Hg.): Medienphilologie. Konturen eines Paradigmas. G\u00f6ttingen: Wallstein Verlag 2017, S. 99-125<\/p>\n\n\n\n chrL\/ Markus Stock (eds.): Theories and Practices of Commentary, Zeitspr\u00fcnge 1\/2, 2020, Frankfurt am Main: Vittorio Klostermann 2020. Read more<\/a>.<\/p>\n\n\n\n Commentary as Literature. The medieval Glossenlied, in: Lechtermann\/ Stock (eds.): Theories and Practices of Commentary, Zeitspr\u00fcnge 1\/2 2020, 160-180. Read more<\/a>.<\/p>\n\n\n\n Topography, Tide and the (Re-)Turn of the Hero. Battleground and Combat Movement in Wolfram\u2019s Willehalm<\/em>, in: Spatial Practices: Medieval\/Modern, hg. von Markus Stock und Nicola V\u00f6hringer, G\u00f6ttingen: V&R unipress 2014, S. 89-122<\/p>\n\n\n\n Hand, Werkzeug und Material in den volkssprachigen Mess- und Rei\u00dfk\u00fcnsten des 16. Jahrhunderts, in: ZfdPh 2015, Sonderheft: \u201aN\u00fcrnberg\u2019, hg. von Heike Sahm, S. 61-87<\/p>\n\n\n\n Grenzann\u00e4herungen in den \u201aMarien-Liedern\u2018 des Bruder Hans, in: PerspektivWechsel oder: die Wiederentdeckung der Philologie. Bd. 2: Grenzg\u00e4nge und Grenz\u00ad\u00fcber\u00adschreitungen Zusammenspiele von Sprache und Literatur in Mittelalter und Fr\u00fcher Neuzeit, hg. von Nina Bartsch und Simone Schultz-Balluff, Berlin: Erich Schmidt Verlag 2016, S. 433-453<\/p>\n\n\n\n Das erste Gericht. Die Erz\u00e4hlung vom Streit der T\u00f6chter Gottes in K\u00f6nemans \u201aSunte Marien wortegarde\u2019, in: Dante-Jahrbuch 2017\/18 (94. Jahrestagung der Dante-Gesellschaft Oktober 2017, Frankfurt am Main: \u201eDante und das J\u00fcngste Gericht\u201c). Hg. von Christine Ott, S. 104-120<\/p>\n\n\n\n ‘Art. material philology\u2019, in: Susanne Scholz\/Ulrike Vedder (Hg.): Handbuch. Literatur und materielle Kultur, Berlin: De Gruyter 2018, S. 117-125 <\/p>\n\n\n\nResearch related to commentary<\/h3>\n\n\n\n
Publications related to commentary<\/h3>\n\n\n\n
Other publications<\/h3>\n\n\n\n
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