{"id":160,"date":"2020-08-08T00:14:00","date_gmt":"2020-08-08T00:14:00","guid":{"rendered":"https:\/\/globalcommentary.utoronto.ca\/?p=160"},"modified":"2022-02-15T19:48:05","modified_gmt":"2022-02-15T19:48:05","slug":"markus-stock","status":"publish","type":"post","link":"https:\/\/globalcommentary.utoronto.ca\/?p=160","title":{"rendered":"Markus STOCK"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\">University of Toronto, Dept. of Germanic Languages and Literatures\/Centre for Medieval Studies<\/h4>\n\n\n\n<p>My research is situated in medieval German literature and culture, with a focus on twelfth- and thirteenth-century epic and romance as well as medieval love poetry. It has been funded by SSHRC, the Humboldt Foundation, and the German Academic Exchange Foundation (DAAD).<\/p>\n\n\n\n<!--more-->\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Research related to commentary<\/h3>\n\n\n\n<p>My research related to commentary has several facets: I research a late medieval vernacular biblical commentary on the Song of Songs (the <em>Hoheliedauslegung\u2018Meliora sunt ubera tuavino\u2019<\/em>), that is, I study medieval commentary traditions in German, a language that (unlike Latin) has not commonly been used for commentary in Germany; in that same vein, I am interested in how medieval vernacular literatures adopt commentarial stances. I also practice philological commentary in my edition and commentary of the love songs of thirteenth-century poet Burkhard von Hohenfels and I am thus interested in commentary as a philological method and practice.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Publications related to commentary<\/h3>\n\n\n\n<p>Christina Lechtermann and Markus Stock: \u201cVirtuelle Textkonstitutionen: die Philologie und ihre mittelalterlichen Objekte,\u201d in <em>Virtuelle Lebenswelten<\/em>, ed. Stefan Rieger et al., accepted, forthcoming 2020, 15 pp. (\u201cVirtual Text Constitutions: Philology and its Objects,\u201d in <em>Virtual Life Worlds.<\/em>)<\/p>\n\n\n\n<p>Christina Lechtermann and Markus Stock (Eds.): <em>Practices of Commentary<\/em>. Special issue of <em>Zeitspr\u00fcnge. Studies in Early Modern History, Culture and Science<\/em> 24.1-2 (2020), pp. 1-270 (270 pp.). <a href=\"https:\/\/globalcommentary.utoronto.ca\/?p=654\">Read more<\/a>.<\/p>\n\n\n\n<p>Markus Stock (Ed.): Burkhard von Hohenfels: Edition and Commentary. In: Lyrik des deutschen Mittelalters, online, hg. von Manuel Braun, Sonja Glauch und Florian Kragl. Forthcoming 2020.<\/p>\n\n\n\n<p>Christina Lechtermann and Markus Stock: \u201cVirtuelle Philologie,\u201d in <em>Handbuch Virtualit\u00e4t<\/em>, ed. Dawid Kasprowicz and Stefan Rieger, Berlin: Springer, 2019, pp. 425\u2013454. (\u201cVirtual Philology,\u201d in <em>Handbook Virtuality.<\/em>)<\/p>\n\n\n\n<p>Johanna Rodda and Markus Stock: \u201c<em>Wissen s\u00f6llen alle s\u00e4ligen<\/em>: A Manuscript of the <em>Hoheliedauslegung <\/em>\u2018<em>Meliora Sunt Ubera Tua Vino\u2019<\/em> at the Houghton Library, Harvard University,\u201d <em>Oxford German Studies<\/em> 39 (2010), pp. 1\u201315<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Other publications<\/h3>\n\n\n\n<p>\u201cCunneware de Lalant and her Brothers: The Other Family in Wolfram\u2019s<em> Parzival<\/em>,\u201d in <em>diz vliegende b\u00eespel<\/em>:<em> Ambiguity in Medieval and Early Modern Literature, <\/em>ed. Marian E. Polhill and Alexander Sager (Transatlantic Studies). G\u00f6ttingen: Vandenhoeck &amp; Ruprecht Unipress, 2020, pp. 39\u201352.<\/p>\n\n\n\n<p>Renae Watchman, Carrie Smith, and Markus Stock (Eds.): <em>Indigenous and German Studies<\/em>. Special issue of <em>Seminar: A Journal of Germanic Studies<\/em> 55.4 (2019), pp. 309-427 (118 pp.).<\/p>\n\n\n\n<p>\u201c<em>wilde<\/em>, <em>wilder muot<\/em>, <em>wildekeit<\/em>: Bildgebende Verfahren und <em>wilde<\/em>-Metaphorik im Minnesang,\u201d <em>Wolfram-Studien<\/em> 25 (2018), pp. 343\u2013373. (\u201cWild, Wild Thoughts, Wildness: Processes of Imaging and the Imagery of <em>wilde<\/em> in Medieval German Love Poetry\u201d)<\/p>\n\n\n\n<p>Markus Stock (Ed.): <em>Alexander the Great in the Middle Ages: Transcultural Perspectives. <\/em>Toronto: University of Toronto Press, 2016 (281 pp.).<\/p>\n\n\n\n<p><em>Kombinationssinn. Narrative Strukturexperimente im \u2018Stra\u00dfburger Alexander\u2019, im \u2018Herzog Ernst B\u2019 und im \u2018K\u00f6nig Rother\u2019. <\/em>T\u00fcbingen: Niemeyer 2002 (M\u00fcnchener Texte und Untersuchungen 123) (335 pp.) (<em>A Sense of Combination: Narrative Experiments in the \u2018Strassburg Alexander\u2019, in \u2018Herzog Ernst B\u2019, and in \u2018K\u00f6nig Rother.\u2019<\/em>)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<ul class=\"wp-block-list\"><li><a rel=\"noreferrer noopener\" href=\"https:\/\/german.utoronto.ca\/markus-stock\/\" target=\"_blank\">Faculty profile<\/a><\/li><li><a href=\"https:\/\/twitter.com\/MarkusStockTO\" target=\"_blank\" rel=\"noreferrer noopener\">Twitter profile<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>University of Toronto, Dept. of Germanic Languages and Literatures\/Centre for Medieval Studies My research is situated in medieval German literature and culture, with a focus on twelfth- and thirteenth-century epic and romance as well as medieval love poetry. It has been funded by SSHRC, the Humboldt Foundation, and the German Academic Exchange Foundation (DAAD).<\/p>\n","protected":false},"author":2,"featured_media":181,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4,1],"tags":[63,64,62,61,60,59],"class_list":{"0":"post-160","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-people","8":"category-practices-of-commentary","9":"tag-epic","10":"tag-love-poetry","11":"tag-medieval-german-literature","12":"tag-medieval-germany","13":"tag-philology","14":"tag-romance","15":"entry"},"_links":{"self":[{"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":5,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":1740,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/160\/revisions\/1740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/181"}],"wp:attachment":[{"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globalcommentary.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}